On Recreation
XXX. On Recreation
[1] For many twelfth-century writers, particularly of the Victorine school, recreatio (alongside other terms such as reformatio, renovatio, reversio, etc.) described the process whereby the dissimilarity of the human soul to the image and likeness of God in which it (and man as a whole) had been created made its transit back towards the state of grace or similarity it had originally possessed. Hence, the importance of this term in Lullian works, as likewise of the concepts of similitude (or likeness) and difference (one of the Principles of the Lullian Arts). In terms of creation, redemption, Christology and eschatology, this theme plays out via the understanding that the redemption of humanity in and through Christ’s Incarnation represents creation renewed (recreatio), rather than a new creation (nova creatio). Llull himself shows a marked preference towards this term rather than towards that of redemption tout court. Progressively, Llull emphasises, however, that redemption/recreation (with its corollary of mankind’s ultimate salvation) features only as a “second intention” with respect to the primary function (or “first intention”) of the Incarnation, viz. the manifestation of God’s attributes. For first and second intentions, cf. note 1, Ch. XXXIII, § 1.
[2] As A. F. Losev states in his Audacity of the Spirit, Leiden/Boston: Brill Rodopi, 2019, p. 92: “a subjectum […] is an object, not a subject! It is therefore illiterate to translate Latin subjectum as English ‘subject’! Latin subjectum corresponds to English ‘object.’” the same principle, it goes without saying, applies to the Old Catalan sobjet.